Learn how to play Ambient Guitar | Drone | Soundscapes

  • Learn how to play Ambient Swells

    Ambient Swells

    Learn how to play Ambient Swells
    Volume Swell is one of the most powerful and key techniques when we talk about ambient guitar, soundscapes and drones. It can be described in two words – soft attack.

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  • Drone techniques

    Drones

    Drone techniques
    Playing drones is a very meditative exercise. No wonder that drones are traced back to shaman and other spiritual practices.

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  • Compose your Soundscapes with a looper

    Soundscapes

    Compose your Soundscapes with a looper
    Soundscape is a broad term. It applies to both music and science, such as acoustic ecology. Soundscape in music has a complicated structure that refers us to its real life manifestation.

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  • Setup your pedals and effects

    Tricks & Tweaks

    Setup your pedals and effects
    Set up your pedals and effects

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  • Ambient Swells

    Learn how to play Ambient Swells
    Volume Swell is one of the most powerful and key techniques when we talk about ambient guitar, soundscapes and drones. It can be described in two words – soft attack.

    Read more

  • Drones

    Drone techniques
    Playing drones is a very meditative exercise. No wonder that drones are traced back to shaman and other spiritual practices.

    Read more

  • Soundscapes

    Compose your Soundscapes with a looper
    Soundscape is a broad term. It applies to both music and science, such as acoustic ecology. Soundscape in music has a complicated structure that refers us to its real life manifestation.

    Read more

  • Tricks & Tweaks

    Setup your pedals and effects
    Set up your pedals and effects

    Read more

Ambient Guitar / Soundscape #22 - “TV Session ep.2”

video
 
 

The initial lightly overdriven guitar sound is formed by Strymon Riverside fed into Joyo JF-14 amp sim.

Then the signal splits into two lines. The first line goes to Strymon Volante (tape delay). The second one goes to Strymon BigSky. Later they are combined in one stereo line and fed into Strymon TimeLine that works in Frippertronics mode (dual delay with sound degradation, ratio 8/1)

Strymon BigSky is used as a short delay for one flute note only.

I use volume knob here for volume swells.

More in Featured Videos

  • Equipment

    Equipment

    Explore manufacturers, pedals and effects that might be interesting for Ambient, Drone and Soundscape guitar players.

  • YouTubers

    YouTubers

    Explore the list of my favorite YouTubers who play Ambient, Drones, Soundscapes and other genres skillfully useing looping techniques.

  • Useful Links

    Useful Links

    Explore the list of useful links: web resources, lessons, tutorials, books and articles, iOS apps, online soundscapes and more…

Soundscape is a term that “was first described by Canadian composer and environmentalist, R. Murray Schafer” [1] within the framework of Acoustic ecology.

Soundscape as music entity was initially composed of real-life samples. Later on this term was used to describe long-lasting sound textures played with an instrument. Robert Fripp from King Crimson was one of the first to call such textures Soundscapes. This term is also used as part of sound design in game development and movie industry.

We can ask ourselves a question what is Soundscape towards Ambient music, how do they correlate to each other? I personally define Soundscape both as a tool and a sub-genre of Ambient music. 

Soundscape viewed as tool is a component of a musical composition. It is a structural part that may exist alone with other structural components like rhythm or words. Soundscape in this sense may be considered as pad or texture played by one or many instruments to make self-sufficient composition as well as to create tonal and harmonic support to other instruments like drums, bass and voice. For example, many of what Richard Wright played on keyboards in Pink Floyd can be called soundscape if we accept Soundscape as a tool.

Soundscape viewed as an independent Ambient sub-genre may refer to many recordings of such musicians as Rober Fripp, Brian Eno, Bruno Sanfilippo and may many others. This is the word that they actually used to label some of their works.

When I tried to clear up the notion of Soundscape years ago I stated it like this: Soundscape (in music) - is a term that designates a special form of musical text representation characterized of domination of saturated sound textures, frequent absence of clearly defined rhythmic and harmonic structure, as well as indistinct and relative compositional structure. It is common to Soundscapes that overflowing delayed sounds last long in space and time, spread wide in tessitura and aimed at creation of special emotional, often meditative, states.

A bit complicated and abstruse, but I’m still agree with that.

 

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Ambient Guitar And Soundscapes vol.2
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