Learn how to play Ambient Guitar | Drone | Soundscapes

  • Learn how to play Ambient Swells

    Ambient Swells

    Learn how to play Ambient Swells
    Volume Swell is one of the most powerful and key techniques when we talk about ambient guitar, soundscapes and drones. It can be described in two words – soft attack.

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  • Drone techniques

    Drones

    Drone techniques
    Playing drones is a very meditative exercise. No wonder that drones are traced back to shaman and other spiritual practices.

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  • Compose your Soundscapes with a looper

    Soundscapes

    Compose your Soundscapes with a looper
    Soundscape is a broad term. It applies to both music and science, such as acoustic ecology. Soundscape in music has a complicated structure that refers us to its real life manifestation.

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  • Setup your pedals and effects

    Tricks & Tweaks

    Setup your pedals and effects
    Set up your pedals and effects

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  • Ambient Swells

    Learn how to play Ambient Swells
    Volume Swell is one of the most powerful and key techniques when we talk about ambient guitar, soundscapes and drones. It can be described in two words – soft attack.

    Read more

  • Drones

    Drone techniques
    Playing drones is a very meditative exercise. No wonder that drones are traced back to shaman and other spiritual practices.

    Read more

  • Soundscapes

    Compose your Soundscapes with a looper
    Soundscape is a broad term. It applies to both music and science, such as acoustic ecology. Soundscape in music has a complicated structure that refers us to its real life manifestation.

    Read more

  • Tricks & Tweaks

    Setup your pedals and effects
    Set up your pedals and effects

    Read more

Ambient Guitar / Soundscape #22 - “TV Session ep.2”

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The initial lightly overdriven guitar sound is formed by Strymon Riverside fed into Joyo JF-14 amp sim.

Then the signal splits into two lines. The first line goes to Strymon Volante (tape delay). The second one goes to Strymon BigSky. Later they are combined in one stereo line and fed into Strymon TimeLine that works in Frippertronics mode (dual delay with sound degradation, ratio 8/1)

Strymon BigSky is used as a short delay for one flute note only.

I use volume knob here for volume swells.

More in Featured Videos

  • Equipment

    Equipment

    Explore manufacturers, pedals and effects that might be interesting for Ambient, Drone and Soundscape guitar players.

  • YouTubers

    YouTubers

    Explore the list of my favorite YouTubers who play Ambient, Drones, Soundscapes and other genres skillfully useing looping techniques.

  • Useful Links

    Useful Links

    Explore the list of useful links: web resources, lessons, tutorials, books and articles, iOS apps, online soundscapes and more…

Frippertronics – is the name given by Robert Fripp to his analog delay (looping) system consisting of two side-by-side reel-to-reel tape recorders.

It was Brian Eno who showed this system to Fripp.  For the first time they used it on Fripp/Eno album “No Pussyfooting” that was recorded in 1971 and released in 1973.

It is known that Terry Riley, Pauline Oliveros and Steve Reich were pioneers in development of similar technologies that Frippertronics was based on, but Eno and Fripp were those who made it popular.

Later on in the 1990’s when Fripp switched over to more complex delay system he started to call it Soundscaping.

Strictly speaking Frippertronics, Phrase-Sampler and Looper are synonyms. They all use one and the same principle based on Delay effect, though there are some differences between them. I point this specific differences out in an article about Loopers.

I personally prefer to think of Frippertronics as a looper with Decay parameter set to fade out, because this is what was extremely interesting and characteristic of Fripp’s performances – possibility to successively fade out previous loops while new loops were recorded over and over again.

 

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